Archive for November, 2008

Poladroiding With Sun Tzu at The Standard

The following Ten Image Poladroid Series rediscovers the ancient Sun Tzu on a West Hollywood Saturday night at The Standard

It’s a Saturday night and I’ve finally got some a sliver of a moment to hang back and chill out with my new translation of The Art of War.


s000zArtofWarCropped-pola01

I’m reading it and remembering how life changing Sun Tzu was for me when I first discovered The Art of War in 2000.


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But, my friend, Ariane has invited me to the Purple Lounge Party at The Standard. I’m really enjoying the read but at the same time, I want to circulate and consequently I am all conflicted about what to do.

Arinne-pola

The lure of The Standard’s acutely self-aware retro decor pulls me in with its tractor beam.

Red70sLamp-pola

The change of pulsebeat; the longing to circulate…

Here Clock-pola

Utter the word “Lush” at the door of the Purple Lounge for free entry.

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I run into a friend who wants to know what I did this evening, prior to The Purple Lounge and I tell him I was reading Sun Tzu.

Obi&Me-pola

He asks what Sun Tzu writes about.  I explain that it is about how to co-exist with conflict in a way that is mindful and balanced.   Then I add, that the most successful war is a war that does not need to be fought.

Lantern-pola

Then, several minutes later, a push and a shove.  An argument.  Neither of the two is willing to back down. Throwing my arms around the taller of the two, I twist him out of harms way and he graciously thanks me for the intervention. While my 5′3 height and 105 pound body weight didn’t provide a lot of physical mass to leverage, no one expected me to do what I did.  Thus, the element of surprise.


There-pola

Would I try this again under similar circumstances?  Actively involve myself in someone else’s conflict like this? Hard to tell.

paris-hilton-reading-the-art-of-war-preview-pola

Stranger things have happened to people who’ve read Sun Tzu, I guess.

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Dr. Atomic

Saw Dr. Atomic, written/directed by Peter Sellars and composed by John Adams, screened in a movie theater in Woodland Hills this morning as the matinee was being performed live at the Met.  The ending, so softly humanizing.  Rather than startle you with the impact of the inevitable explosion this entire opera is leading up to, it brings you inside Oppenheimer’s intellectual and emotional dreamscapes.

atomic As the team at Los Alamos gets closer and closer to the actual test, the dreamscapes bleed together.  Something terrifying and inevitable is moving towards them which they have no more control over than they do the desert thunderstorm.

I’m going to try and assemble some of this, to try and give a sense. Of course, I didn’t get the full experience myself because I saw it in a movie theater and not at the Met. Hopefully, at some point, Dr. Atomic and I will find ourselves in the same city at the same time. In the meantime, I’ll post photos and text since I can’t say much beyond what the opera itself says.

Much of the text from the opera was adapted from declassified U.S. government documents and communications among the scientists, government officials, and military personnel who were involved in the project. Other borrowed texts include poetry by Baudelaire, John Donne, and Muriel Rukeyser, the Bhagavad Gita, and a traditional Tewa Indian song. Marvin Cohen, head of the American Physical Society, has criticized some parts of the libretto for not being strictly scientifically correct, in particular the opening lines (below). [1]

The opening chorus is an incomplete excerpt from the 1945 Smyth Report:

“Matter can be neither created nor destroyed but only altered in form.

Energy can be neither created nor destroyed but only altered in form.”

Act I concludes with an aria sung by Oppenheimer with text from Donne’s Holy Sonnet XIV:

Batter my heart, three person’d God; for, you
As yet but knocke, breathe, shine, and seeke to mend;
That I may rise, and stand, o’erthrow mee, and bend
Your force, to breake, blowe, burn and make me new.
I, like an usurpt towne, to’another due,
Labour to’admit you, but Oh, to no end,
Reason yhour viceroy in mee, mee should defend,
But is captiv’d, and proves weake or untrue.
Yet dearely’I love you, and would be loved faine,
But am betroth’d unto your enemie:
Divorce mee, untie, or breake that knot againe;
Take mee to you, imprison mee, for I
Except you’enthrall mee, never shall be free,
Nor ever chast, except you ravish mee.

Kitty Oppenheimer’s aria, “Easter Eve, 1945″, by Muriel Rukeyser is from her poem of the same name.
The Act II, scene iii chorus, borrowed from the Bhagavad Gita (translated into English by Swami Prabhavananda and Christopher Isherwood) reads:

At the sight of this, your Shape stupendous,
Full of mouths and eyes, feet, thighs and bellies,
Terrible with fangs, O master,
All the worlds are fear-struck, even just as I am.
When I see you, Vishnu, omnipresent,
Shouldering the sky, in hues of rainbow,
With your mouths agape and flame-eyes staring-
All my peace is gone; my heart is troubled.

Act II is peppered with a repeated refrain from Pasqualita, the Oppenheimer’s Tewa Indian housemaid. The text comes from a traditional Tewa song:

In the north the cloud-flower blossoms
And now the lightning flashes
And now the thunder clashes
And now the rain comes down! A-a-aha, a-a-aha, my little one.
In the west the cloud-flower blossoms
And now the lightning flashes
And now the thunder clashes
And now the rain comes down! A-a-aha, a-a-aha, my little one.

And now the rain comes down! A-a-aha, a-a-aha, my little one.

One of the only scenes of actual connection (though still full of loneliness and longing) is Baudelaire’s “A Hemisphere in Your Hair” is used verbatim in the scene w/ Kitty Oppenheimer:

A Hemisphere in Your Hair

Long, long let me breathe the fragrance of your hair. Let me plunge my face into it like a thirsty man into the water of a spring, and let me wave it like a scented handkerchief to stir memories in the air.

If only you knew all that I see! all that I feel! all that I hear in your hair! My soul voyages on its perfume as other men’s souls on music.

Your hair holds a whole dream of masts and sails; it holds seas whose monsoons waft me toward lovely climes where space is bluer and more profound, where fruits and leaves and human skin perfume the air.

In the ocean of your hair I see a harbor teeming with melancholic songs, with lusty men of every nation, and ships of every shape, whose elegant and intricate structures stand out against the enormous sky, home of eternal heat.

In the caresses of your hair I know again the languors of long hours lying on a couch in a fair ship’s cabin, cradles by the harbor’s imperceptible swell, between pots of flowers and cooling water jars.

On the burning hearth of your hair I breathe in the fragrance of tobacco tinged with opium and sugar; in the night of your hair I see the sheen of the tropic’s blue infinity’ on the shores of your hair I get drunk with the smell of musk and tar and the oil of coconuts.
Long, long, let me bite your black and heavy tresses. When I gnaw your elastic and rebellious hair I seem to be eating memories.

The best You Tube clip I could find was from the Amsterdam performance so the subtitles are in Dutch. The stage at the Met was more impressive (in my opinion) in the vertical dynamics. Is nevertheless worth checking out this clip, to get a sense..

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Popular Demand

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Not really sure how to organize this now but enough people have either:

(a.) continued to haiku
(b.) suggested that I repost the haikus
(c.) made haiku pilgrimages to my site from some remote, far off regions of the world, like France, only to discover find an “error message” and a void to contemplate in negative 5-7-5

I have therefore been persuaded to repost.  I watched the haiku collection flourish, nurtured and cultivated them because they inspired me.  Therefore, no arm twisting is required to persuade me to re-publish.

Unless inspired to begin a new haiku project, however, this will be the last political haiku post of the Election 2008 Haiku collection.  Please note that the final haiku of the series, written by Peter Orvetti, does not mean that the editor, in any way, shape, or form, condones a Palin/Palin ticket in 2112.  May it serve as a reminder of the transitory nature of victory as well as a reminder to stay alert and not to take victory for granted.

Peter Orvetti Haiku

Bye elections poems
It was fun but now it’s done
Palin Twenty-Twelve!

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Spinning Poi –aka– Firedancing

So you put twist tightly wrapped kevlar around a pair of chains, weave the band around your fingers and practice figure eights. A lot of them. Keep practicing. Practice till you’re bored. Post bored.  Totally sick of it.  Just keep practicing.  s000zPoi-1Muscle memory kicks in.  Just keep practicing.  Eventually, you are ready to light. And the sound, ah, the sound. Fire whizzing past your ear, the power of your own inertia.  The light, the light, the light!  The s000zpoi3glow inside lasts for days.  In fact, once you’ve done this, you’re never the same again.  My friend Charity taught me everything I know about Firedancing. She lives in Tuscon now but had a transfer in LA, we only had about an hour by the time we reached the Santa Monica Pier. s000zpoi2One moment we’re trying to figure out whether or not we had enough Fiji water in the bottle to wet the safety towel and the next moment, we’re collapsed on the sand laughing. OMG, the world’s largest water supply is right in front of us!! I run to into this receding tide. My legs keep running, running, running. The Pacific’s night tide’s edge is just so far back. My toes sinking into in the cold wet seaweed and sand. I drench the towel in salt water. Jumping up, utter delight, I run back. We’re dipping the kevlar into the lamp oil now. Circling, figure eights all around. And oh, the sound! As I spin poi, CharityCharity Poi stands by w/ wet towel, in case of mishap.  As she spins poi, I do the same.  Two guys in uniform approaching. Were we too close to the Santa Monica Pier’s Ferris Wheel?  How could we possible be a threat to anyone?  Here were are, dancing with fire in the middle of this ginormous kittly litter box!! “What’s going on?” We tell them the truth; that we didn’t know whether or not it was illegal to spin poi on the beach and that Charity actually has a liscence to do this (which she does, insurance as well!) The two uniformed guys are laughing. “We’re EMTs” they explain to us, pointing to their white rectangular ambulance parked way, way, back.”  We show them the wet towel to legitimate that we treat our craft with respect.  Standby, one another, ready, in a heartbeat, to smother flames, if necessary.  “No worries” they assure us.  “Just stopped by to watch the show.” Was just one of those nights where even the smallest minute detail just clicks into place.  The world around morphs into timelessness macro mode of it’s own accord and everything, everything, everything, just seems to make sense.Santa Monica Ferris WheelPoladroid of Charity

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Election Day Haiku


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bated breath waiting
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as newborns waking

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Thailand in the rain.
Could it be more important?
Barack Obama.

Susanna Speier’s Election Day Haiku

Almost midnight now.
Almost part of history.
At least, I hope so.

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A Thousand Splendid Suns

1000 Splendid SunsJust finished reading it. This book; it’s so unbelievably sad and beautiful and, whoa.  I mean, literally just finished with it.  Trying to drive West on Wilshire with my eyes watering, nose getting all sniffley.  In the midst of all this election, hype, who in the world is there to commiserate with over the tragic life of a fictional heroine who embodies the most extreme manifestations of loyalty and sacrifice.  I’ll say it before; am saying it again.  Khaled Hosseini is our Charles Dickens.  KHHe gives insights into parts of the world otherwise inaccessible through sophisticated mellowdramatic storylines, caricature.  Hope, grief, hardship and regret.  Still reeling from the experience of having just read this.  And in case you’re thinking this comparison between Dickens and Hosseini is a bit much, try this.  Compare the excecution scenes between A Thousand Splendid Suns and Tale of Two Cities.  How the protagonist comes to grips with their inevitable fate by elevating it.  Processing this in the middle of everything else; relating to many aspects of many of the characters and appreciating their inconsistencies and complexities reminds me that, despite the political zeitgeist, sucking me in like a tractor beam, my life isn’t really driven by blips and waves and bytes.  Fact of the matter is, I’m truly looking forward to the election being over so I can get back to myself again; losen the grip of this driving need to be so plugged in all the time.  Or at least, plug in a different way.  One that is more heightened and grounding, perhaps.  Still been enjoying the Palin haikus and all.  Though, now that I think about it, perhaps it’s just another way of dealing.  Okay, “dealing” is kinda strange verbiage.  I find myself engaging in what’s happening in politics on the intellectual and emotional intensity that I engage on, also can –if I’m not careful– get overwhelming and even exhausting.  Well crafted narrative fiction, by contrast, is back to the micro again.  It’s one connection going on —author to reader— no responsibility to fix or communicate or persuade or retract or supercsede anything on the outside.  Yet, the resonance of this author/reader intimacy is nevertheless, global in scope.  Perhaps fiction does not function on the multiplatform level that politicians must to target the widest demographic.  At the same time, it’s creating a corridor where there would otherwise be a wall.  In the case of A Thousand Splendid Suns, it provided me with a connection to the dreams, hopes, sorrows, losses and sacrifices of those lives beneath the burkas.

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Uncle Don

I’ve decided to dedicate an entire blog post to my prolific Palin haiku post contributor; my uncle, Donald Bassman.  My Grandma, Lillian Bassman Dank, a Lithuanian immigrant, embraced the English language subsequent to her arrival in the United States, through her love of poetry.  As my mom and Don were growing up, Bubby would recite her favorite verses from Longfellow, Poe, Dickenson and Frost.  Although Don hasn’t, to my knowledge, written poetry before these haikus, he moves through the world in a way I perceive to be gentle and poetic in and of itself.  His proclaimed goal: 1,000 haikus by the time of the election.  Whether or not the goal is achieved, I’m guessing there’s a good chance he’ll end up w/ more Palin haikus under his belt than any other individual writing on the topic.  His contributions have integrated so fluidly into his daily routine, he has actually expressed some concern as to what will happen subsequent to the Election.  Being confident in Obama anticipated victory,  I’ve already promised Don new topics.  In addition to writing haikus, my uncle is a landscaper, organic farmer, and history buff.  He lives on the outskirts of Seattle.

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